History class 12 CBSE course B Chapter 2


Chapter 2 – Bhakti–Sufi Traditions: Changes in Religious Beliefs and Devotional Texts (c. 8th to 18th Century)


1. A Mosaic of Religious Beliefs and Practices

1.1. The Pluralistic Religious Landscape

  • India between the 8th and 18th centuries witnessed diverse faiths: Vedic Brahmanism, Buddhism, Jainism, Islam, and regional cults.
  • Religion was deeply integrated with social, economic, and cultural life.
  • Popular beliefs often merged different religious practices; people participated in multiple traditions.
  • Local deities, nature worship, ancestral spirits, and fertility cults coexisted with formal religions.

1.2. Temples and Pilgrimages

  • Temples became centres of social and cultural life; they were not merely places of worship.
  • Major shrines like Jagannath (Odisha), Kanchipuram (Tamil Nadu), Tirupati (Andhra Pradesh) attracted pilgrims.
  • Pilgrimage routes promoted cultural unity and trade.
  • The construction of temples was also an act of royal legitimacy; kings built temples to express power and devotion.

1.3. Image Worship and Rituals

  • Image worship became a central feature of Hindu practice.
  • Rituals included offerings, recitations, hymns, and festivals celebrating deities.
  • Brahmanas held ritual authority as mediators between the devotee and deity.

1.4. Sacred Texts and Oral Traditions

  • Sacred Sanskrit texts like Vedas, Upanishads, Puranas, and Dharmashastras guided religious life.
  • Simultaneously, oral traditions and vernacular stories spread religious ideas among the masses.
  • Folk songs, local myths, and regional legends kept the traditions alive across linguistic boundaries.

1.5. Role of the Common People

  • Common people often shaped religion through folk deities and local rituals.
  • Women, peasants, and artisans contributed to popular forms of devotion outside Brahmanical control.

2. Poems of Prayer

2.1. The Transformative Role of Bhakti and Sufi Poetry

  • Poetry became the vehicle of devotion—a means to communicate with God in an emotional, personal way.
  • Compositions were written in vernacular languages: Tamil, Kannada, Marathi, Bengali, Hindi, Punjabi, etc.
  • Poets rejected the elitism of Sanskrit and Persian, making devotion accessible to everyone.

2.2. Themes of Devotional Poetry

  • Love and longing for God expressed through human relationships (e.g., devotee as lover, God as beloved).
  • Criticism of empty rituals, caste distinctions, and orthodoxy.
  • Emphasis on inner purity, simplicity, and sincerity.

2.3. Impact of Poetry

  • Spread religious equality and emotional devotion.
  • Strengthened the cultural unity of India through shared devotional sentiments.
  • Created a new literary heritage influencing music, dance, and theatre.

3. Early Traditions of Bhakti

3.1. Origin in South India

  • The earliest Bhakti movement began in South India (6th–9th centuries CE).
  • Devotion (Bhakti) was offered to personal deities—Vishnu, Shiva, and goddesses.

3.2. The Alvars and Nayanars

  • Alvars: Devotees of Vishnu; composed Tamil hymns called Divya Prabandham.
  • Nayanars: Devotees of Shiva; composed Tevaram hymns.
  • Both groups emphasized love and personal devotion (bhakti) over rituals and sacrifices.
  • They opposed caste hierarchy—many saints came from non-Brahmana communities.

3.3. Key Ideas

  • God is accessible to all—caste, gender, or social status do not matter.
  • Emotional connection to God through singing, dancing, and prayer.
  • Temples and devotional gatherings became social centres.

3.4. Patronage

  • Rulers like the Pallavas, Cholas, and Pandyas patronized temple building and Bhakti poets.
  • Bhakti became a powerful cultural and social movement linking the elite and commoners.

4. The Virashaiva Tradition in Karnataka

4.1. Emergence of Virashaivism

  • Founded by Basavanna (12th century CE) in Karnataka.
  • Followers known as Lingayats or Virashaivas (devotees of Shiva).

4.2. Key Principles

  • Worship of Shiva Linga worn on the body as a symbol of devotion.
  • Rejection of caste hierarchy, Brahmanical rituals, and temple worship.
  • Emphasis on work as worship—honest labour is a form of devotion.
  • Belief in gender equality and widow remarriage.
  • Opposed child marriage and untouchability.

4.3. Literary Contribution

  • The Lingayats composed Vachanas—short poetic sayings in Kannada expressing devotion.
  • Prominent poets: Basavanna, Allama Prabhu, Akka Mahadevi.

4.4. Social Impact

  • Became a social reform movement challenging orthodox Hinduism.
  • Influenced later reformist ideas and non-Brahman movements in South India.

5. The Growth of Sufism

5.1. Introduction of Sufi Ideas

  • Sufism refers to the mystical form of Islam focusing on inner purity and union with God (Allah).
  • Sufi saints (known as Pirs or Sheikhs) spread Islam through love, tolerance, and humanity.

5.2. Principles of Sufism

  • Emphasis on love for God and all creation.
  • Belief that the path to God lies through service and devotion, not formal law (Sharia).
  • Music, dance (Sama), and poetry used as means to experience divine love.
  • Stressed equality among human beings, rejecting distinctions of wealth or birth.

5.3. Khanqahs (Sufi Centres)

  • Sufi saints established Khanqahs or hospices—places of spiritual training, prayer, and charity.
  • They served as centres of learning, service, and community welfare.

5.4. Sufi Orders (Silsilas)

  • Sufis organized into Silsilas (orders), each with its own spiritual lineage.
  • Important orders in India:
    • Chishti – Emphasized love, tolerance, and humility.
    • Suhrawardi – Focused on social and political engagement.
    • Qadiri and Naqshbandi – Later popular orders.

5.5. Spread of Sufism in India

  • Came to India with Arab traders, Persian missionaries, and Turkish rulers.
  • Adapted to Indian cultural traditions, adopting local languages and customs.
  • Promoted communal harmony between Hindus and Muslims.

6. The Chishtis in the Subcontinent

6.1. Introduction

  • Chishti order was one of the most influential Sufi orders in India.
  • Founded by Khwaja Muinuddin Chishti of Ajmer (12th–13th century).

6.2. Teachings of the Chishtis

  • Emphasized love, humility, and equality.
  • Advocated service to humanity (khidmat) as the true path to God.
  • Rejected luxury, power, and formal orthodoxy.

6.3. Important Chishti Saints

  • Khwaja Muinuddin Chishti (Ajmer) – called Gharib Nawaz (benefactor of the poor).
  • Sheikh Qutbuddin Bakhtiyar Kaki (Delhi) – known for simplicity and spiritual strength.
  • Sheikh Nizamuddin Auliya (Delhi) – most famous; attracted people of all faiths.
  • Amir Khusrau – poet, musician, disciple of Nizamuddin; introduced new Indian-Persian musical forms.

6.4. Practices

  • Langar (community kitchen) for the poor.
  • Sama (devotional music) sessions to experience divine ecstasy.
  • Followers included both Hindus and Muslims, showing religious tolerance.

6.5. Royal Connections

  • Chishtis generally kept distance from rulers, emphasizing spiritual over political power.
  • Yet rulers like Iltutmish, Alauddin Khalji, Muhammad bin Tughluq respected them.

6.6. Dargahs (Shrines)

  • After a saint’s death, his tomb became a Dargah (shrine)—a place of pilgrimage and devotion.
  • Famous dargahs: Ajmer Sharif (Rajasthan), Nizamuddin Auliya (Delhi).

7. New Devotional Paths

7.1. The Bhakti Movement in North India

  • From 13th to 18th centuries, Bhakti spread across North India.
  • Saints preached in vernacular languages to reach common people.

7.2. Two Broad Streams

  1. Saguna Bhakti – Worship of a personal god with form (Rama, Krishna, Devi, etc.).
    • Saints: Tulsidas, Mirabai, Surdas, Chaitanya Mahaprabhu.
  2. Nirguna Bhakti – Worship of a formless god beyond rituals.
    • Saints: Kabir, Nanak, Raidas, Dadu Dayal.

7.3. Kabir (15th century)

  • Born near Varanasi; possibly raised by a Muslim weaver family.
  • Composed dohe (couplets) in Hindi expressing mystical ideas.
  • Criticized both Brahmanical ritualism and Islamic orthodoxy.
  • Believed in oneness of God, equality, and inner devotion.
  • Said: “Jab main tha tab Hari nahin, ab Hari hai main nahin.”

7.4. Guru Nanak (1469–1539)

  • Founder of Sikhism; born in Punjab.
  • Preached belief in one formless God (Ik Onkar).
  • Condemned superstition, caste, and ritualism.
  • Stressed Naam Simran (remembering God’s name) and Kirat Karo (honest work).
  • His teachings collected in the Guru Granth Sahib.

7.5. Mirabai (16th century)

  • Rajput princess of Mewar; devotee of Lord Krishna.
  • Composed bhajans expressing love and surrender to Krishna.
  • Rejected royal life and social norms to pursue spiritual devotion.
  • Her songs are sung in Rajasthani, Braj, and Gujarati.

7.6. Tulsidas and Surdas

  • Tulsidas – author of Ramcharitmanas in Awadhi; presented Rama as an ideal being.
  • Surdas – composed Sursagar; celebrated Krishna’s childhood and divine play.
  • Both promoted Saguna Bhakti and inspired temple and performance traditions.

7.7. Chaitanya Mahaprabhu (Bengal)

  • Preached love and devotion to Krishna through kirtans (singing and dancing).
  • Promoted Vaishnavism and religious tolerance.

8. Dialogue and Dissent in Northern India

8.1. Religious Dialogues

  • Interaction between Bhakti saints and Sufis created spaces of dialogue and exchange.
  • Both emphasized love, equality, and inner devotion over rituals.
  • This inter-religious communication enriched Indian spiritual culture.

8.2. Syncretic Traditions

  • Emergence of composite religious practices—e.g., Dargahs visited by both Hindus and Muslims.
  • Popular festivals and fairs often blended multiple traditions.
  • Shared vernacular vocabularies of love and devotion.

8.3. Dissent and Reform

  • Bhakti and Sufi movements challenged orthodoxy and caste discrimination.
  • Questioned authority of priests and ulema.
  • Encouraged direct relationship with God through love and meditation.

8.4. Women Saints

  • Women like Akka Mahadevi, Mirabai, Lal Ded voiced spiritual autonomy.
  • They challenged patriarchal norms and inspired equality in devotion.

9. Reconstructing Histories of Religious Traditions

9.1. Sources for the Study

  • Hagiographies (biographies of saints) – provide accounts of their lives and miracles.
  • Poetic compositions – bhajans, dohas, vachanas, and kirtans.
  • Sufi texts – malfuzat (conversations), maktubat (letters), tazkiras (biographies).
  • Architectural remains – temples, dargahs, and shrines.

9.2. Challenges in Interpretation

  • Hagiographies often mix fact and legend; difficult to separate history from myth.
  • Many texts were translated and transmitted orally, leading to variations.
  • Historians use cross-comparison of sources to verify information.

9.3. Vernacular Sources

  • Local languages preserved regional versions of devotion.
  • Helped historians understand social diversity and linguistic development.

9.4. Archaeological and Epigraphic Evidence

  • Inscriptions, coins, and monuments provide clues about patronage, saints, and sects.
  • Temples and dargahs show shared architectural motifs, symbolizing cultural blending.

Conclusion

  • Between the 8th and 18th centuries, India witnessed a flowering of devotional traditions—Bhakti and Sufi movements.
  • They emphasized love, equality, compassion, and direct connection with the divine.
  • Both movements challenged ritualism, caste, and orthodoxy, offering a new vision of spirituality.
  • The Bhakti–Sufi synthesis contributed to India’s composite culture, blending elements of Hindu and Islamic mysticism.
  • Their literature, music, and poetry continue to inspire the ideals of tolerance, harmony, and humanity even today.


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